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Edgar G. Ulmer in seiner jiddischen Zeit: Die Dissonanz zwischen der jiddischen Kultur und dem filmischen Text in Grine ...

F. W. Murnau Der letzte Mann (1924) : Subjective Experience That the Moving Camera Enabled and the Margin : Horizon That...

Reconsideration of the ending scene in Der letzte Mann (1924) by F. W. Murnau : Thinking of the carriage scene / Katsuna...

Edgar G. Ulmer : People on Sunday (1929) : With a focus on the process of production / Katsunao HIRAIStudies in comparat...

Edgar G. Ulmer in his Yiddish period : Light Ahead (1939) : the singular space which a blind orphan inhabits through her...

Edgar G. Ulmer in the PRC period, Detour (1945) : the journey as the schizophrenic voyage, the different reality that th...

Edgar G. Ulmer in the Yiddish period : The dissonance between the Yiddish culture and the filmic text in Green Fields (1...